1922 Turned Upside Down
The year 1922 has long been celebrated as an annus mirabilis of literary and, more broadly, of cultural production, the high-water mark of “high modernism”. One hundred years on, this conference seeks to reconsider this established view. Beyond the literary works usually cited as defining 1922 – James Joyce’s Ulysses, T. S. Eliot’s The Waste Land and Virginia Woolf’s Jacob’s Room – what other significant works appeared that year in literature, film, music, architecture, and the visual arts? What did 1922 mean for the arts in places, cultures, and languages beyond those of the Anglophone North Atlantic? And how does expanding our scope in these ways challenge our understanding of that famous year?